The world of heavy metal fanzines is a fascinating one, and the story of Sheffield's Skullcrusher magazine is a testament to the passion and dedication of its creator, Gaz Holmes. As we delve into the 45th anniversary of this iconic publication, we explore how it captured the essence of the New Wave of British Heavy Metal (NWOBHM) and its enduring impact on the music scene.
The Birth of a Zine and a Movement
In the late 1970s, the heavy metal landscape was evolving rapidly. Artists like Iron Maiden, Diamond Head, and Venom were blending the raw energy of punk with the heavy riffs of earlier metal, creating a new sound that would captivate audiences. This era, known as the NWOBHM, marked a significant shift in the music industry, and Gaz Holmes was at the forefront of it.
Holmes, a musician himself, recognized the challenges of promoting bands during the dissolution of his band, Zayus. This led him to create Skullcrusher magazine in 1981, a weekly publication that would become a platform for the emerging NWOBHM scene in Sheffield. With a Gestetner printing machine in his kitchen, Holmes self-published the magazine, showcasing his dedication and resourcefulness.
A Compilation of Sheffield's Metal Scene
As the NWOBHM gained momentum, Holmes compiled the 'Steel City Rock' cassette, featuring local Sheffield bands like Alyx, Fallen Angel, and Renegade. This compilation tape was a testament to the city's thriving metal scene and became a symbol of the era's energy and creativity. Holmes sold these tapes at gigs and record stores, further spreading the word about the NWOBHM.
The Rise and Fall of the NWOBHM
The NWOBHM's commercial success was marked by the top-10 chart entries of Motörhead and Saxon in 1981. However, by the mid-1980s, many bands, including Sheffield's Def Leppard, began to experiment with a more glam metal and radio-friendly sound. This shift led to the movement's decline, as the original raw and intense sound evolved into something more mainstream.
A Legacy Continues
Fast forward to the present, and Gaz Holmes is celebrating the 45th anniversary of Skullcrusher magazine with a CD release of the 'Steel City Rock' compilation. This time, the release is through his own record label, Skullcrusher Records, and the proceeds will support musical activities for people with early onset dementia. Holmes' dedication to giving back to the community is a testament to his values and the impact he believes the NWOBHM had on his life.
In my opinion, the story of Gaz Holmes and Skullcrusher magazine is a reminder of the power of passion and the enduring impact of subcultures. The NWOBHM, though it may have faded in popularity, left an indelible mark on the music industry, and Holmes' efforts to preserve and celebrate this era are truly commendable. As we reflect on the past, we also look forward to the future, where the spirit of the NWOBHM continues to inspire new generations of musicians and fans alike.
